It’s been ages since I’ve been to a movie theater, but yesterday circumstances worked out and Ron and I went to see The Accountant, starring Ben Affleck. The film’s summary description begins:
Christian Wolff (Ben Affleck) is a math savant with more affinity for numbers than people. Behind the cover of a small-town CPA office, he works as a freelance accountant for some of the world’s most dangerous criminal organizations.
Ron and I were still debating which movie to see while we were standing in line to buy tickets. I was Googling this film, the new Jack Reacher, and Deep Water Horizon, trying to determine which were filmed with “shaky cam.” Have I ever mentioned that I loathe shaky cam? I get motion sickness, watching it. The Bourne Ultimatum was the worst, and since then I’ve tried to avoid shaky cam, not always successfully. It’s my firm opinion that a well-written, well-made thriller does not require an unsteady point of view to keep the audience awake — and The Accountant is an excellent example of this.
Of the three movies, only The Accountant was clearly mentioned as not being shaky cam, so that’s the one we went to see — and I’m glad we did. Both Ron and I gave it an enthusiastic thumbs-up.
Fair warning: this is a violent, morally ambiguous story. That said, it’s not your standard, clichéd thriller. I found it well written, and I admired the way flashbacks were used to gradually bring in the back story — ultimately not in the way I’d expected. Filming, acting, and sound track were all well done.