Linda Nagata: the blog at Hahví.net


Snippet: Tech-Heaven

Saturday, December 8th, 2012

Tech-Heaven is a near-future political thriller that imagines the rise of nanotechnology in our world through the eyes of Katie Kishida, a mother and business woman whose life takes an extraordinary turn when she is widowed, and her husband’s body is cryonically frozen against a time when advancing technology will allow his resurrection.

* * *

Katie Kishida rode into the little Andean village of La Cruz on the back of a bony black steel mannequin. Through her VR suit she directed each crunching step along the mineral soil of the village’s lone street. A freezing wind whistled through the mannequin’s external joints and soughed past the rim of her VR helmet. She clung to the mannequin’s back, studying the helmet’s video display, anxiously searching the village for signs of life. But there was nothing—not a wisp of smoke or a scrounging bird, or even a cat slinking through the cluster of worn, wood frame buildings.

She commanded the remotely controlled unit to stop. The village made a neat frame for an imposing line of white peaks supporting a heavy ceiling of storm clouds. Bass thunder rumbled there, arriving almost below the range of hearing, a deep vibration that set Katie’s slight, sixty-four-year-old body trembling, and snapped the brittle tethers she’d placed upon her fear.

The Voice cops had forgotten her.

She didn’t want to believe it. Certainly in Panama they’d tried to stop her. Failing that, they’d seized her holding company, Kishida Hunt. They’d confiscated her assets, declared her a criminal, and then . . . nothing. She’d journeyed south for weeks with no sign of pursuit, and that worried her most of all, because the Voice cops wouldn’t give up unless they thought she was dead . . . or disarmed. Maybe they knew about her bootleg copy of the Cure. Maybe they’d seized it before it could be shipped to La Cruz. Or maybe the life-extension schedule was a fraud, and there had been no pursuit since Panama because there was no Cure—and no way to restore life to the cryonic suspension patients hidden in a clandestine mausoleum in the mountains above La Cruz.

Fear had become her default emotion.

She shut down the remote, then slid from her perch on its back to stand on her own stiff legs. Her lean muscles ached and her ass was forever sore. She lifted the video helmet off her head. The wind streamed past her cheeks, its bitter touch oddly familiar. She thought she could feel Tom’s presence in the mountains’ unremitting cold. Tom had been dead thirty years. Or maybe he’d just become a crystalline life-form when his heart had stopped, his body and their marriage both immersed in liquid nitrogen, –196 C, a cold that had haunted her life.

A child’s laughter broke her reverie. Katie looked up. Motion drew her gaze up the street to a single story building slightly larger than all the others, with a hand lettered sign by the door declaring Provisiones. Katie remembered. This was the same store where she’d bought a cup of hot coffee fifteen years ago. Back then, the building had been painted a shade of blue that matched the sky. But time had bleached and chipped away the paint until now there was only a hint of color left between the cracks. The walls were further abused with rusty staples, a few still clenching the tattered corners of handbills that had long since blown away. A little girl was peering past the partly opened door, bouncing up and down in excitement as she exclaimed in lilting Spanish over the skeletal aspect of the remote.

In her eagerness, Katie dropped the helmet in the street, forgetting it before it hit the ground. She hobbled toward the battered building, fighting muscle cramps in her legs. If the Cure had been successfully shipped from Vancouver, then it would be here, in the village store. She could claim her package and push on, higher still into the mountains, to the hidden mausoleum where Tom waited. If she could get to that quiet place, with the Cure in hand and no cops on her trail, then perhaps she could finally confront the ghost that had haunted her for thirty years.

* * *
For more on the book, see my blog post “Musings on Tech-Heaven.”

Available in print and ebook editions.

Musings on Tech-Heaven

Monday, July 2nd, 2012

Tech-Heaven by Linda Nagata; cover by Bruce JensenPowerful women populate my novel, Tech-Heaven, in a story that explores the impact of cryonics, the slow development of nanotechnology, and political issues surrounding both.

But is Tech-Heaven a feminist novel? What is a feminist novel anyway?

The protagonist of this story is a woman, Katie Kishida. The two primary antagonists are women as well — Senator Ilene Carson and Roxanne Scott — who are both complex characters in their own right, though they also serve as the face of broad-based social forces.

But here’s the catch: at the center of the conflict between these three women is a man, Tom Kishida. He’s Katie’s husband, Ilene’s brother, and Roxanne’s friend. He’s also the dead man the story revolves around, his body preserved in liquid nitrogen while those who love him wrestle over his fate. Katie wants to rescue Tom, to see him through to a time when advancing technology can repair his body and restore his life. Ilene and Roxanne see things differently.

As several reviewers noted, at its core, Tech-Heaven is a romance, but be warned: it’s a grimly determined one.

What I like most about the character of Katie Kishida is that she’s not remotely a superhero. She’s starts the story as a nearly ordinary wife, mother, and businesswoman, but after her husband’s death her obsessive determination to make cryonics real and workable changes everything: her life, her relationships, and the world around her.

Out of all my novels, I think Tech-Heaven is written closest to a “mainstream” style, with scenes of daily life and reflection included in what becomes from time to time, a bizarre narrative.

The story is a very American one, set primarily in California and reflecting many aspects of American culture.

It’s not directly concerned with the role or status of women, assuming instead that women are capable players — or more accurately, that people in general are as capable as they choose to be. Alliances between characters are not made across gender lines, but are founded on shared beliefs and shared goals.

The story also includes mixed-race marriages while paying hardly any attention to them, because in my experience, when you’re living inside one, that’s how it is. But the story does pay attention to love, family, obligation, ethics, politics, and the determination to see a task through to the end.

Tech-Heaven is not a book aimed particularly at men or women, but at readers interested in exploring different sides of controversial ideas and the fallout of advancing technology.

Is it a feminist novel? If it’s not, then the meaning of “feminism” is uselessly narrow. Is it a humanist novel? I like to think so. From a marketing perspective, I consider it a near-future thriller. We’re already into the early years of that future and it seems to me the story still holds up disturbingly well.

 

Where to sample/purchase the ebook:
Book View Café (worldwide)
Amazon.com USA
Amazon UK
Barnes & Noble (USA)

Where to order the print version:
Amazon USA
Amazon UK
Booktopia (Australia)
Barnes & Noble (USA)
Powell’s Books (USA)