Linda Nagata: the blog at Hahví.net


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Book Titles

Friday, April 1st, 2011

In my Interwebs reading this morning I somehow wound up here at Mulholland Books reading a post on book titles in the crime and suspense genre–which is just a little odd since I pretty much never read in this genre.

It’s a good post though, with a good point. Titles matter! A lot. Book covers and book titles are two hugely challenging aspects of successful fiction that I figure I’ll always be struggling to get right.

One of the greatest titles in the science fiction genre has to be Neuromancer. When I’m trying to title a book, I’ll usually go through a phase of “What can I do that’s sort of awesome like Neuromancer…?” Then I’ll give it up and move on to something inferior.

Dune is also a great one-word title of course, and I’ll confess a soft spot for my own Vast.

I’ve also got a soft spot for long, poetic titles. One of my favorites is Midnight in the Garden of Good and Evil–and I’ve never even read the book! Gregory Benford’s Galactic Center books are another great example, with In the Ocean of Night, Across the Sea of Suns, and one of my favorite sf books of all time, Great Sky River. Because of Greg I usually go through a phase in the titling process where I’ll comb through quotes from classical plays and poetry, before giving up and moving on to something inferior.

My own titles I see as generally serviceable, except for The Bohr Maker, which I think is terrible. (The original publisher came up with this. It wasn’t me! Although my working title was worse.)

If I remember correctly, Deception Well, Skye Object 3270a, Limit of Vision (of course), The Wild, and possibly Memory were named early in the writing process.

Everything else came late and some, like Vast, involved lots of debate.

What are some of your favorite titles–in any genre?

Sample Sunday: The Bohr Maker

Sunday, March 20th, 2011

Sample Sunday is a facebook event hosted by Pixel of Ink.

The Nanotech Succession is a collection of stand-alone novels by Linda Nagata, all set in the same story world. Book 1, THE BOHR MAKER, won the Locus Award for Best First Novel and is now available for Amazon Kindle and Barnes & Noble Nook.

CHAPTER 1

Just past dawn a dead man came floating down the river. The current carried him under the old river-straddling warehouse, where he fetched up against one of the fluff booms Arif had strung between the rotting pilings. Phousita found him when she came to gather the night’s harvest of fluff. He floated face down. His head had wedged under the fluff boom; his long black hair swayed like a silk veil in the current.

Phousita glanced nervously overhead. The trap door that opened onto the main floor of the abandoned warehouse hung open. She debated with herself a moment. It would be so easy to slip into the water, ease the dead man’s body off the boom and guide him back into the current before Arif discovered he was here. She would never have to worry about who he might have been or what bitter spirits still haunted his flesh. Let someone else farther down the river have him!

But her conscience wouldn’t let her do it. Even in the dusky light under the river warehouse she could tell he’d been a wealthy man. Such fine clothes! And he might have money on him, jewels. The clan was hungry. She glanced again at the trap door. “Sumiati,” she called softly.

The termite-eaten floorboards creaked, then Sumiati peered through the door. She had an empty bucket in her hands, ready to pass it to Phousita. “So fast today! Did you fill the first bucket already? It’s about time our catch improved!” Her dark eyes widened when she saw the body. She sucked in a little breath of surprise. “Phousita, he’s still got his clothes! Hold him! Don’t let the current take tuan away. I’ll come down. Look how beautiful his robe is. Oh, do you think we’re the first to find him?” She put the bucket down, then turned to climb through the trap door, moving awkwardly as she bent over her pregnant belly. She hung for a moment from the insulated wire rope, looking like some rare, ripe fruit. Then she dropped gracefully to the narrow metal plank that Arif had lashed between the pilings. It shivered under the impact.

Phousita reached out a hand to steady her. Sumiati was a small woman, but even beside her, Phousita was tiny. She stood no taller than a petite child of seven or eight, though she was nearly twenty five years old. Despite her size, her body was that of a woman: slender and beautifully proportioned, endowed with ample breasts and rounded hips, but on a scale that seemed unnaturally small. With her pretty round face, her dark eyes, and her thick black hair carefully coiled at the nape of her neck, she might have been a diminutive spirit out of some forgotten mythology.

Her unusual appearance had once attracted many clients after-hours in the business district. But she’d promised Arif she wouldn’t venture down there anymore. She was hungrier these days. The clothes from this dead man would buy a large quantity of rice.

And yet she hesitated. Easy wealth was so often cursed with misfortune. “I don’t like finding the tuan here,” she told Sumiati, instinctively using the traditional honorific. “There’s no telling what evil influences tuan carries with him. Let’s work quickly, then I’ll shove him back into the river.”

Sumiati looked suddenly concerned. “Maybe we should call Arif.”

“No!” Sumiati jerked at the sharp tone of Phousita’s voice. Phousita hunched her shoulders; she looked across at the dead man. “No,” she said more gently. “No need to wake Arif. We can do it.” Pulling the close-fitting skirt of her sarong up above her knees, she eased herself into the water until her tiny feet touched the clean gravel that cushioned the river’s concrete bed. The current swirled in cool streams around her waist, gradually soaking her faded blue breastcloth. She reached back to help Sumiati down, then grabbed the empty fluff bucket and started wading towards the dead man, one hand on the fluff boom for balance.

Arif had constructed the boom shortly after he’d moved the clan into the abandoned warehouse. He’d gathered rare old plastic bottles, the kind that didn’t disintegrate in only a few weeks. He’d cut them in half and then lashed them to a plank stripped from the warehouse. They floated half-submerged in the water and when the fluff came floating down the river they trapped it, like huge hands grasping at the feast. The system had worked well for many months. It would still work, if only there were more fluff in the river… or fewer hungry people. Her gaze scanned the thin line of brown foam bobbing against the boom. A dismal catch. Not enough there to feed three people and there were thirty-nine empty bellies in the clan. Forty, counting Sumiati’s soon-to-be-born. Phousita tried not to think about it.

Fierce rays of yellow light lanced under the river house as the sun leapt up over the city. Phousita touched the dead man’s head. Bright white flecks of bone and torn, pink flesh could be seen through his black hair. The back of his skull had been caved-in by a blow. The current still washed dilute puffs of blood from the wound. He must have been only minutes in the water. She lifted his head carefully by the long hair. His face was pale, nondescript European. His eyes were closed. A single kanji glowed in soft, luminescent red on his cheek. She couldn’t read it. “Look, tuan was robbed,” she said, pointing at the torn lobes of his ears where earrings must have been. Sumiati peered over her shoulder.

Out of principle Phousita touched his neck, checked for a pulse. It was a ceremony the Chinese doctor insisted upon, even when the patient was obviously dead. Perhaps it helped ease the frightened spirit still trapped within the body. Sumiati looked on, a worried pout on her lips until Phousita shook her head. Sumiati smiled.

“Even if tuan was robbed, he still has his clothes,” she said. “Maybe the thieves overlooked something.” She quickly checked his pockets, but found nothing. Phousita worked at the fastenings on his robe. In minutes they had the body stripped. Phousita stepped back in relief.

Sumiati’s eyes glowed as she held the fluff bucket stuffed full of fine clothing. “Push him off the boom,” she urged. “Let’s hurry. We have to take these to temple market. It’s a long walk, but we’ll get the best price there. We can take some water to sell too. And then we can buy rice. Enough for everyone to eat until their stomachs complain! And clothes. Henri and Maman need new clothes. And medicines, of course. You’ll know the ones to buy. And the Chinese doctor is always glad to see you….”

Phousita smiled at Sumiati’s nervous chatter. The dead man had indeed brought them good fortune. And now she could send him on his way. She reached for the dead man’s arm. Twisted it gently, to ease him off the boom. Hurry now. In a moment he would be gone.

“Phousita!”

Her hands jerked back in guilty surprise. She looked up as Arif dropped through the trap door. He landed on the metal plank. His slim, hard body — clothed only in worn shorts — was poised in a fighter’s stance. Arif was always fighting, she thought bitterly. And he’d do anything, anything at all to survive.

He stared at her, cruel violet eyes so out of place amongst the swollen, exaggerated features of his laughing, yellow, bioluminescent joker’s face. Sumiati, blind to his moods, started to bubble forth in her good-natured way with the tale of their find, but Arif cut her off with a gesture. “Phousita,” he growled softly. “What are you doing?”

Phousita glanced at the nude body of the dead man. Without his clothes he seemed a pale, ghostly thing. “Take the basket up, Sumiati,” she said softly. “Arif will help me now.”

Sumiati nodded, confused. Arif helped her out of the river and onto the plank, then stepped back, out of her way. She climbed the rope. “Close the door behind you,” he said. He still stared at Phousita. In the harsh shadows under the warehouse, his ogre-ugly face glowed brilliant yellow with its own generated light.

By his own admission Arif had been a wicked child. His mother had sold him to a sorcerer who poisoned him with a spell that exposed his sins upon his face. With his ridiculously elongated nose and chin, his cheeks as round and full as over-ripe guavas, and his glowing yellow complexion, he resembled one of the comical servants of the wayang theater. Except his eyes.

His gaze flickered upward as the corrugated metal door closed with a creak. Soft footsteps moved off across the warehouse floor. When Sumiati was out of earshot, Arif spoke: “He’s food, Phousita.” He walked to the end of the plank. “Why would you throw away food?”

Suddenly Arif dove, slicing like a sunbeam through the water, his thick black hair, tied up in a short pony tail, trailing behind him. He surfaced next to Phousita, startling her with an explosion of bubbles. He threw his swollen yellow head back and laughed, then hugged her tiny figure quickly, his arms encircling her waist. “Don’t be afraid, Phousita,” he crooned. “The old witch filled your head with all kinds of lies. It’s just a body. Tuan’s spirit is gone.”

Phousita was trembling. She sank into Arif’s arms while the cool river water rushed past. “You don’t know what kind of man he was,” she whispered.

“It doesn’t matter.”

“It matters if we take his body into ours.”

“Not his body. Only the fluff that grows from it. You helped me plant them before. You ate the fluff.”

She laid her head against his chest. He’d dismissed her reluctance then, too. “Sutedjo and Piet were part of our clan,” she said. “We knew them; they would wish us no harm. But this man is a stranger; we don’t know what evil he’s done.”

“It’s gone with him.”

“His spirit clings to the body.”

But Arif’s patience had eroded. “Spirit rides in the head and his head’s smashed in,” he snapped. “Stupid country girl, he’s gone!” He ducked under the water. A moment later, he surfaced on the other side of the boom. Grabbing the dead man’s wrists, he twisted the body roughly off the boom. “I wish you’d never met that old witch! She chased your brains away. You want to be a sorceress like her? Fah! She was just a stupid old hill woman. I’m glad she’s dead. I wish I could have planted her too!”

Phousita slapped the water. “Stop it, Arif. Stop it! You pretend you know so much. You don’t know! You hear rumors on the street and you think they’re true. Shiny new magic. But even the new sorcerers don’t know everything. Arif!”

He wasn’t listening. He’d turned his back on her, hauling the dead man up the river. She took a deep breath and ducked awkwardly under the boom. Fear filled her as water swirled past her face. Then she burst to the surface, gasping and splashing for air. She didn’t know how to swim. Arif had promised to teach her. Oh, why did she get angry? It did no good. Arif only wanted the best for her, for everyone in the clan. It hurt him when she let her doubt show.

“Arif.” She caught up with him; helped him drag the body against the current. They reached the edge of the river house. Arif stopped. Phousita glanced down through the clear water to the gravel beneath her feet. Scattered there she could still see the remnants of Sutedjo’s bones, bright white slivers that hadn’t yet turned to fluff. She glanced up. Arif studied her with violet eyes. “It wasn’t the old witch who cured you, Phousita. It was the Chinese doctor. The old magic is dead.”

He ducked under the water, hauling one leg of the dead man with him. Phousita used her tiny body as an anchor to keep the corpse from drifting downstream while Arif secured the man’s foot to a mooring stone on the bottom. He surfaced, took the other leg, hauled that down too.

Over the next few days the body would slowly dissolve into a rich harvest of fluff that would float to the surface and gather downstream against the fluff boom. The clan would never know the reason for their good fortune. They’d attribute the abundant harvest to luck.

Fluff hadn’t existed when the old woman was alive. That was only a few years ago. Phousita could remember it easily. She’d been perhaps twenty-one, still trapped in a child’s body. The river had been a stinking sewer then, a deadly thread of water draining the city’s filth. When the fluff first started collecting on the river’s banks, they’d paid no attention to it, assuming it was just a new kind of pollution. Then Arif had seen the rats eating it….

Now the river ran clear. The water was clean, drinkable, though the city’s filth still washed into it with every rain.

Arif surfaced again, took the dead man’s right arm. “Help push him under,” he said gruffly. Phousita nodded. Arif stretched the arm of the corpse beyond its head, then reached underwater for the mooring stone. He found it, and glanced over his shoulder at Phousita. “Now.” She placed her palms flat against the cold, slippery chest and leaned hard, forcing the body under.

Something gave way beneath her right hand. She could hear it more than feel it, a sharp metal snick! The chest opened like a blinking eye. A golden needle shot out of the black orifice, to bury itself in Phousita’s breast. She reared back in horror, swiping at the spot of blood just above her breastcloth that marked the point where the needle had disappeared. She stumbled through the water. Her chest was on fire. She could hear herself bleating like a terrified child: “Unh! unh! unh!”

The corpse twisted in the current, the shoulders rolled. She saw a little white tear in the dead white chest before the corpse turned face down again. Her gaze shifted to Arif. The horror in his eyes must have echoed her own. Help me. She tried to say it, but her mouth had gone dry. Her tongue grew puffy and swollen as the needle’s poison spread through her system. The bubbling song of the river seemed to rise in volume, building like a wall around her before it collapsed into a chaotic buzz. Her vision blurred. She could see Arif reaching for her. But the current was swifter. Her eyes closed as its cold hands caressed her face and swirled through her hair.

The Bohr Maker is available for Amazon Kindle and Barnes & Noble Nook.

Long, Complex, Challenging Novels

Sunday, January 23rd, 2011

I’m not a fast reader. I might spend a week or ten days reading in the evening before I finish off a typical novel. So it’s ironic how much I can enjoy long, complex, challenging novels. Do you?

Here are some that have stuck in my mind over the years:

Moby Dick by Herman Melville- I keep hearing people say how boring this is, but I read it at thirteen or fourteen, so I guess the boring parts went right over my head. To quote from the novel How I Became a Famous Novelist “Instead of loving perfectly good books like Moby Dick, where a ***ing whale eats everybody, these ***s insisted on pretending to like excruciating books like . . .” Yeah.

The Broken God by David Zindell- I think I read this at least twice, and yet I never tell anyone “You have to read this book.” It’s so dense with detail I just know the readers I’m personally acquainted with wouldn’t be into it. Are any of you?

Cryptonomicon by Neal Stephenson- Long, dense, fascinating. I read this one twice too. I even know other people who’ve read it and like it. And yet I’ve never gone on to read the follow ups. I don’t know why.

The Silmarillion by JRR Tolkien- Despite my utter adoration for The Lord of the Rings, I didn’t read this until much, much later in life. I’ve since read it two or three times, and then picked up The Children of Hurin when that came out, and read it again. It is, of course, classic tragedy.

Winter’s Tale by Mark Helprin- I was tricked into reading this. Evidently it was a big deal when it came out, though I had never heard of it. Someone loaned me a copy, implying she had read it and it was a wonderful book. And it is a wonderful book! Rather like a fever dream can be wonderful and engrossing (although this is a bad analogy, since everything in the story is cold). I liked it so much I bought my own copy. The person who gave me the book seemed surprised I had gotten through it, and confessed she’d never read it at all.

Heart of Darkness by Joseph Conrad- Okay, this isn’t a long novel, but it is complex in the way it’s written, so I include it here. I’m not usually a fan of stories that focus on the sheer awfulness of people, but this one works for me. I had it on my nightstand for a couple of years and would read it at random. The use of language is astonishing, as in: “The word ‘ivory’ rang in the air, was whispered, was sighed. You would think they were praying to it. A taint of imbecile rapacity blew through it all, like a whiff from some corpse.” And “There is a taint of death, a flavour of mortality in lies—which is exactly what I hate and detest of the world—what I want to forget. It makes me miserable and sick, like biting something rotten would do.”

Has anyone else read and admired any of these books?

What are your “long and complex” favorites?

Currently Reading: The Name of the Wind

Thursday, January 20th, 2011

I’m a fussy reader. I start lots of books and quickly drop them (Kindle samples, you rock!). So it’s a great feeling to be suddenly immersed in what is shaping up to be a great read. My current example is Patrick Rothfuss’s The Name of the Wind. I’m presently on chapter 21, which my Kindle dutifully tells me is only 21% in, which is great, because that means there is 79% to go!

The storytelling style in the opening of this book is so unusual. Maybe only a writer would comment on this first, but the tale starts off with a camera-eye viewpoint in an invisible narrator’s voice, and all the while essential information is implied but deliberately withheld–which should be annoying, but it’s not. Later on we get deeper third-person viewpoints, and then fully realized first person viewpoints, and it all works wonderfully well, helped along by frequent humorous and ironic one-liners.

Another thing you probably won’t hear most reviewers mention is that many of the characters, minor and major both, are so often very kindly and thoughtful and even loving to one another. Yes, there are fearsome antagonists and terrible things happen, but people–even strangers–are still allowed to care about each other.

Oh yes, and the story is building up nicely as well.

I read slowly so it’s going to be awhile before I report back, but so far, thumbs up!

The Story of Edgar Sawtelle

Thursday, November 4th, 2010

Add me to the long list of readers who love this novel. I found it fascinating from beginning to end. The story is often slow and sweet; at other times it reads like a thriller. But at all times it’s propelled by a romantic vision of the world and the people who inhabit it.

It seems to me life can be made enthralling or dull depending on the filters through which we view it. In this book the lyric language is a filter that imbues everything–the land, the forest, the animals, the characters and their inexplicable mysteries–with a resonate meaning.

And what is the book about? A boy, his family, his family history, and the dogs they raise on a farm abutting a primeval wilderness in Northern Wisconsin. That’s all I will say on it, but I’ll also add a warning to avoid reading the teasers used to sell this book. The one I read basically conveyed every major plot point of the story—highly annoying!

So do I recommend this book? Always a tricky question. Depends on you. If you love to read for the sake of words and story, you might love this book too. If you need a steam-rolling plot trimmed of all excess, that ends in positive fashion . . . maybe not so much. The opinions at GoodReads.com span the spectrum, but for me The Story of Edgar Sawtelle worked perfectly, from beginning to end.

Hardcover Edition of Memory

Monday, October 18th, 2010

Setting aside any other issues I might have with Tor Publishing, they do know how to put together a beautiful hardcover book. I’m not including the cover image in my praise because that’s an entirely different issue. But the books themselves, separate from the dust jacket, are lovely, sensual examples of the book binder’s art, perfectly sized, opening easily, with the text artfully laid out, and all on acid-free paper so they will presumably age well.

And as it turns out, by some fluke I have a significant stock of the hard cover edition of Memory, originally published by Tor and now officially out-of-print.

After Vast, Memory is my favorite of my books thus far published, and I think it’s also the most accessible for readers who are new to science fiction.

So if you’re looking for a literary Christmas present this year, how about a signed, hardcover edition of Memory? Cost is $25, which includes shipping in the USA.

Click here to check it out >>

Adventure Stories: Cold Magic

Monday, October 18th, 2010

Kate Elliott writes adventure stories. That’s what I’m in the business for, they’re what I most enjoy reading, and I’m happy to say I’ve enjoyed all ten volumes I’ve read by her since I first picked up King’s Dragon last year. No, wait–Cold Magic makes eleven.

I’m a lousy book reviewer so I’m not going to bother sketching the plot (and such summaries can easily be found elsewhere on the web). Just know that this book is a great read, with entertaining characters in a fascinating and detailed story world.

I have a couple measures of how involving a book is to read. One is obvious: how much sleep do I lose by reading much too late into the night? I had several late nights with Cold Magic.

The other, I suspect, is my own personal quirk. I insist on reading a story in the proper order. So when a fast-paced story starts to get really exciting and my eyes are tempted to leap ahead, I slap my hand down on the page so I can only see the next line, and then the next, and then the next. (Yes, I really do this.) I’m happy to say I was forced to this extreme several times in Cold Magic.

I do have one complaint though. Since I came in late, I’ve been able to consume entire Kate Elliott series at a time, but now I will have to wait for the next volume. Cruel fate!

Book Rave: King’s Dragon

Wednesday, December 23rd, 2009

Last night–sadly!–I finished reading King’s Dragon, first in the series Crown of Stars by Kate Elliott.

This is not a new book. It was published in 1997, but back then I wasn’t reading heroic fantasy. Such a pity — because now that I have finally read it, I have to say it’s been a truly long, long time since I flat-out enjoyed a book as much as this one. This is the sort of book that got me hooked on reading in the first place—which is not to say it’s juvenile. Not at all. It’s intricate and smart, with lots of suspense and great pacing, and filled with likeable, admirable characters to whom ethics matter. Just my cup of tea.

I picked up the book because it was pointed out to me that Kate lives in Hawaii. I don’t keep up at all with science fiction and fantasy these days, so this was news to me. But I thought it was only right that I should have some familiarity with Hawaii SF&F writers (as few as we are).

As it turns out, Kate is far more productive than I am and has published multiple series. I started with Crown of Stars because it happened to be available on the local library shelf—sort of. I actually picked up another book in the series, not realizing it was a series, and promptly returned that and ordered volume 1.

It is so nice knowing I have much more to look forward to. The only thing that irritates me is that I don’t have the next book in hand. Yet.

Click here to follow Kate Elliott on Twitter

Minor updates on 07/09/2013