Book Quote Wednesday
Wednesday, September 14th, 2016
I’ve participated in “Book Quote Wednesday” on Twitter for the past several weeks. Though the activity was created as a promotional tool, my experience shows it to be ineffective in that regard. I haven’t seen any effect on sales. Nevertheless, it’s kind of fun.
The idea is that a group of writers are given the same, simple word. They find an example of the use of that word somewhere in their work, and post the snippet on Twitter.
I’ve collected all my quotes from one novel — Hepen the Watcher — book 2 of my under-read and overlooked fantasy duology, Stories of the Puzzle Lands. The two books in this set are totally unlike anything else I’ve written. They’re straight up fantasies with magic — sardonic, violent, and darkly humorous. Sword-and-sorcery maybe. Of the first book in the duology, Fantasy Review Barn said:
“…It is the amount of heart this book has that really sells it for me. It is a book that falls into the gritty fantasy label for sure, but with a certain amount of sweetness. I will be reading the second of the duo in the near future, and have no problems recommending this one.”
So, back to Book Quote Wednesday. Each participating writer is asked to include the hashtag #bookqw in their tweet, so readers can check out other participating writers. Since I couldn’t fit a decent-sized quote within Twitter’s character limit, I started by posting simple screenshots of text.








The print edition of my latest novel, Hepen the Watcher: Stories of the Puzzle Lands – Book 2 can now be ordered from Amazon US and UK, and Barnes & Noble. In the next few weeks it should also be listed at Booktopia.com in Australia, and at Powell’s Books’ online store in the USA.



Just had to share this detail illustration from the print cover of Hepen the Watcher. On the front cover, the ax is clutched in the hands of my anti-hero protagonist. I like to include a decorative element on the back cover, and the ax seemed ideal, so I tried to separate the layers in the Photoshop master file, and pull the ax out. That didn’t work as well as I’d hoped, so I went back to the artist,