The “Vast” Method
November 26th, 2013So…I just finished a very rough draft of The Red: Trials, the follow up to The Red: First Light. There is A LOT of fixing up, figuring out, and filling in to do — and maybe there will be fatal flaws, I don’t know — but this was a very difficult book for me, so getting to this point is a triumph.
For those of you who are writers, I thought I’d share my experience of how I finally got those last pages done, in case you might find it helpful someday.
With many writers it’s common to write faster as you approach the end. That’s usually the case for me, but it didn’t happen this time. I was still slogging through it, even though I really didn’t have that far to go.
This has happened to me before. Long ago, when I was writing the first draft of my novel Vast, I was stuck. I was maybe 80% through and I couldn’t write anymore. I had a decision to make about how the end would work, and the uncertainty of what that decision would be worked to hold me back. I’m a very linear writer. I write chapter 1, then chapter 2, and so on, through to the end. I don’t jump around — until I got stuck writing Vast, that is. Eventually, out of desperation or despair, I jumped ahead and wrote the climactic end of the novel–and after that, writing the rest of the draft was relatively easy.
Every novel is different. With Trials I wasn’t facing a decision about the end. I knew how it would end — the generalities anyway, if not the details — but as with Vast, it turns out I needed to write the climactic ending scene before I could write all the scenes leading up to it. After a terrible writing day, I sat down on the evening of November 21, and skipped to the end. 1500 words later I felt far, far better about things. Over the next five days I added another 8500 words to create the missing scenes. I won’t say the writing was painless, but it was much less of a struggle than almost all the rest of the novel.
So this is the Vast method: when you’ve struggled close to the end but the story still isn’t writing itself, try writing the climactic scene first, and then drop back and fill in the rest.
Sometimes it works.
Posted on: Tuesday, November 26th, 2013 at 6:57 pm
Categories: Writing.
Tags: The Red: Trials, writing advice, writing tip
November 26th, 2013 at 7:40 pm
Thanks for sharing! I haven’t finished my first real novel yet; maybe it’s because I need to jump to endings. I don’t know. It’s good to keep a bag a tricks when writer’s block sets in, so thanks!
http://www.kassiekay.com
November 26th, 2013 at 7:45 pm
“a bag of tricks” is exactly the way to look at it. Try stuff, and with luck you’ll find what works.
November 30th, 2013 at 7:35 am
I find writing out of sequence helps.
I’ll write what I _think_ is the end, and write towards that. It’s not always the end, and will probably be lost in reaching the real end. HA!
For me, each scene that I’m prosifying will generate eight new image/seeds or notes for some other story. My mind does not want to be spending time writing the prose since it already knows what happens, so it tries to say “Don’t spend time on that, look at these fun things that I could be writing instead. Shiny!” So I have to quickly write down the image/seeds my mind is using to distract me, else I can’t finish the prose scene itself. HA!
December 1st, 2013 at 8:26 am
That’s very different from the way my mind works. I rarely write out of sequence, so this is an unusual approach for me.
December 3rd, 2013 at 4:14 pm
Charlie Rose has messed up his website and I can’t find the great John Irving interview from 1998, but I found this one that talks about his process.
John Irving: How I Work
http://www.youtube.com/watch?v=I2mId99XQYg
He has to know what the last sentence is before he can write the book. He then writes to that last sentence. He does the same thing with chapters. He knows the last sentence to the chapter and writes to it.
In the 1998 interview he commented that the last sentence may or may not survive by the time he reaches it, but he has to have that to start.